![]() Then you can just follow instructions on how to properly set your image to conform to cinema luminance, then apply the conversion LUT and place the black levels. I either set the Contrast on a serial node to 1.1 or just leave it be. That takes your footage into V-LOG, but the GH5 shoots in V-LOG-L, so you might have to adjust the contrast a bit ahead of the conversion. I just use a Color Space Transform to take it from REC2020/F-Log to V-GAMUT/V-LOG. I remember hearing the S1/H could accept 33x, is that so?Ĭan you add some more details about your workflow? I now have an X-T3 and would love to have even just an approximation of emotive color (I already own it for GH5 but sold that camera). The challenge with in-cam monitoring (at least on the GH5) is that the interpolation with 17x is the worst I've seen. Looking forward to a monitoring lut that works with the S1 Of course I'd love a proper S1 version of GHa too! I think that would be phenomenal. I like the Linear version personally, then grade from there. I also tried the native Panasonic LUTs on the footage, but GHa looks a million times better. I tried loading the monitoring LUT into the camera, but it looked awful - probably because the S1 is a different camera to the GH5 obviously. Generally I need to reduce the exposure on the footage to get the Lut looking good. If I were using Resolve I'd probably go with a color transform node and get it into Arri space or something, but I prefer Premiere so I just drop the Lut over my footage. I haven't seen a real difference between the two cameras in terms of colour. Yes GHa works very well on my S1 and S1H files using Premiere.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |